The Story Behind The Story


Welcome dear reader,

If you’re here it probably means you’ve read/are currently reading the Chronicles of Galadria and you’d like to know more about its origin and the writing process, or perhaps you intend to get started but you’d like to know what to expect?
Whatever the case you’ve come to the right place! However before going any further I’d like to mention the blog article I wrote entitled “10 tips to write a novel” which is exclusively based on the experience gathered during the writing of my book and as such gives a good overview of the backstage behind my work (with several anecdotes), on top of providing (hopefully) useful advice for those interested in writing something.
But anyway, let me now tell you more about the story behind the story of the Chronicles of Galadria…

7 Years in the “Other World”
I wrote the book “Chroniques de Galadria” (Chronicles of Galadria) during 7 years, from 13 to 20 years old. The end actually matches more or less to my departure to Sweden, the start of a “new life”…
The story has of course been modified many times during that period (and the form as well as my French evolved), but multiple elements remained the same: the dream, the philosophical tale aspect, the idea Magg/Protector and other key points I won’t reveal here (it would be a shame to spoil the surprise!).

During those 7 years the “CG”, as we call them, took more or less all of my time. I was focused on transcribing into the story everything that I lived, saw, discovered or experienced. I was living in that world rather than reality, in a way…
To be honest, the core idea of a “dream” was inspired by my situation; during these years I wanted to live in this “Other World”, and the answer to this desire took the shape of a book. And I had to reach the very end of the tale to realize that, in truth, life itself is a dream! And also how rich the story was, full of symbols not so easy to find.

Another interesting element is the disturbing link between what happened to me in my life and the part of the story I was writing, the most obvious example being the discovery of the book “Le Guerrier Intérieur” (The Inner Warrior) from Thierry Pasquier and the consequences on my life, deeply changed, just when I was starting the end of the tale; while I was discovering how I wanted to live my life from then on, with the departure to Sweden in the background, Glaide was also reaching the end of his adventure, when it’s time to draw conclusions and understand what has been taught.
And this is just an example among others; all of my personal evolution naturally found its place in the story.

The Other Authors
I was not alone in my work, however. I did start when I was 13, motivated by the publishing of the book “La Prophétie des Pierres” (The Stones’ Prophecy) written by the back then very young Flavia Bujor (I wanted to be a very young published author too!), but it’s only when reaching 17 years old, after receiving support from my French teacher who loved the first chapters of the first volume (the only part written at the time), that I truly started to work: I wrote minimum 1 page/night, reworked what would become the first volume, etc.
Until that time the book itself had only been a vague idea in the background (initially I was thinking of a short tale, below 100 pages), although the idea of the “Other World” and my dreams associated with it were always there. But suddenly it became a central part of my life, and while I was moving forward one of my childhood friends slowly became one of the most important people to me; indeed, Arthur Clément spent his time discussing with me every aspect of the CG, discovering each character, giving me ideas when I was stuck, drawing sketches for the map and, in the end, living the adventure just the way I was living it. He is probably the only person able to understand what this journey means, and he is still by my side, now that we work on translating and spreading that story.
Although I tried to thank him at the end of the 6th volume, along with others who had a key role in the making of this book, I’m afraid there is no way for me to do him justice… Thanks again old friend!

The Place of Music
One of the last elements to mention is certainly music; the general idea of the Chronicles of Galadria came to me after playing Final Fantasy X, and also especially when listening to music: the game’s soundtrack, other soundtracks from movies, animes and other games, and also other kinds of music.
I’ve always loved music and it turned out to be a very important element in the making of this book. So important in fact that I ended up composing my own pieces, related to the CG (the “Chroniques de l’Autre Monde” albums).
In the beginning I simply used this existing story as a base to find inspiration, but now listening to my compositions lets me live again the intensity of this adventure: I see the images, feel the emotions…
So don’t hesitate to listen to all that to extend the journey or simply to make it more intense!

And Now?
To conclude I would say I don’t see myself as an author; I simply wrote a story very dear to me, which I think was necessary for my development as an individual, without the aim of becoming a professional. Today I would like the CG to be a source of reflection, inspiration, and maybe even teachings for some.
And though I’m sure the background of Galadria is rich enough to give birth to multiple sequels, prequels and other side stories, it will nevertheless not happen; I leave to you, dear reader, the responsibility to make this world your own and to create the missing parts. Except for the animation series project I intend to work on, my role ends with the tale of the life I would have liked to have at the time – the life of Glaide, a man whose dream came true…